01725nam a2200325   4500000000100000000000100001008004100002260005700043653003300100653001400133653001000147653002200157653002200179653001800201653002000219653002000239653002200259653000900281653002000290100001200310700001100322700001200333700001200345700001000357245007800367856015300445490001500598520074400613020004201357       2021                            d  bSpringer Science and Business Media Deutschland GmbH10aIntangible cultural heritage10aSemantics10aColor10aColor combination10aColor information10aColor palette10aColor selection10aColor semantics10aCombination modes10aPOPF10aResearch object1 aG. Yang1 aS. Gao1 aZ. Feng1 aL. Wang1 aY. Xu00aSemantics Expression of Peking Opera Painted Faces Based on Color Metrics  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85104848110&doi=10.1007%2f978-3-030-71292-1_38&partnerID=40&md5=f4302b4a06e74d5b30fd7a38893645d20 v12645 LNCS3 aColor is an essential means for Peking Opera Painted Faces (POPF) to show their characters’ emotional characteristics and image connotations. Peking opera Painted Faces’ color selection has certain regularity and specific combination mode, reflecting the artistic connotation of Peking Opera Painted Faces. Taking Peking Opera Painted Faces as the research object, the paper has constructed a color palette by extracting color information and conducts a quantitative analysis of color by clustering, and binning methods to explore the color combination rules of color semantics of single color and color combinations of Peking Opera Painted Faces, in the hope of contributing to the live transmission of traditional Chinese aesthetics.  a03029743 (ISSN); 9783030712914 (ISBN)