01975nas a2200361   4500000000100000000000100001000000100002008004100003653002200044653002600066653003400092653001700126653001300143653002000156653002400176653001300200653002400213653002800237653002800265653002600293653001700319653002200336653002200358653002300380653002300403100001800426245014000444856015100584300001200735490000900747520083700756022002001593       2017                            d10acultural heritage10aCultural associations10aCultural heritage (Thesaurus)10aDance spaces10aMilongas10aPublic policies10apatrimonio cultural10amilongas10apatrimonio cultural10aasociaciones culturales10aassociações culturais10acultural associations10adance spaces10aespacios de baile10aespaços de baile10apolítica pública10aPolítica pública1 aHernán Morel00a"Se armó la milonga": acerca de las políticas, el patrimonio y los espacios de baile de tango en la ciudad de Buenos Aires, Argentina  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85014418876&doi=10.7440%2fantipoda27.2017.05&partnerID=40&md5=c7ae82679e8fa06ffbe191c55b25c154  a121-1400 v20173 aThis paper introduces an ethnographic study focused on the milongas of Buenos Aires (Argentina), seeking to explore the interrelations developed between dancing spaces and certain public policies. This article reflects upon the political and organizational processes that enable the deployment of this kind of dance events, pointing out agreements, conflicts and demands raised by the milongas organizers against the actions of public policies. To analyze these processes, I will focus on closures carried out in 2005 that affected the normal functioning of the milongas. This research shows the articulations and changing relations that the milongas organizers established with public policies, highlighting some issues and contradictions that emerge around the management of the intangible cultural heritage by the power of State.  a19005407 (ISSN)