02041nam a2200325   4500000000100000008004100001260002000042653002500062653002300087653001800110653001200128653002000140653001500160653001400175653001600189653001200205653003100217653001500248653003400263653001400297653002400311653002400335100001100359700001100370245008400381856015200465490001500617520104100632020004201673                                       d  bSpringer Verlag10aCultural environment10acultural landscape10aDeterioration10aDisplay10aDisplay devices10aEco-museum10aEconomics10aEnvironment10aHistory10aHuman computer interaction10aIntangible10aIntangible cultural heritages10aLandscape10aNational conditions10aTheory and practice1 aJ. Liu1 aR. Tan00aThe Display of Intangible Cultural Landscape Based on the Concept of Eco-Museum  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85069877789&doi=10.1007%2f978-3-030-22580-3_6&partnerID=40&md5=3e227cec4435cbfa8751e0237d23fca40 v11577 LNCS3 aThe rapid development of industrialization and urbanization brought about changes in the economic structure, forms of production and lifestyle, resulting in deterioration of the natural and human environment, as well as many intangible cultural landscape degradation. To display intangible cultural heritage landscape in the form of eco-museum aims to achieve harmony between man and nature and human environment. Eco-museum with community residents’ participation in live state display is the way to retain the cultural heritage, is a means of protecting intangible cultural heritage and tradition. In this paper, based on the concept of ecological museum theory and practice, the author makes an overview of the history of establishment of eco-museums in accordance with our national conditions, to avoid the homogenization of intangible cultural heritage display modes, and to improve the cultural landscape heterogeneity and retain historical memory of diverse cultures, to protect natural and cultural environment of the country.  a03029743 (ISSN); 9783030225797 (ISBN)