01328nas a2200193   4500000000100000000000100001008004100002653001700043653002800060653002000088653002400108653002000132100002600152245009900178856014500277490000700422520068500429022002001114                                       d10aBuenos Aires10aCommunity participation10aFilete porteño10aintangible heritage10aUnesco politics1 aCamila Marmol Cartana00a"Tango with a paintbrush": Community participation in the drafting of unesco s ich nominations  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85096397570&doi=10.3989%2fDRA.2020.024&partnerID=40&md5=c3484bbb64ac9f3d9309b259629187580 v753 aThis article deals with the implications of participatory politics for the drafting of nominations for the Unesco Repre-sentative List of the Intangible Cultural Heritage of Humanity. In recent decades, participation has become a legitimacy hallmark for public governance and has also affected heritage politics. I focus on the filete porteño, a nomination developed in Buenos Aires in 2014 and registered on the Representative List of the Intangible Cultural Heritage of Humanity in 2015. Building on this case, I will discuss the complex dynamics developing within participatory practices, as well as their implications for governmental politics and their social repercussions.  a26596881 (ISSN)