01962nas a2200349   4500000000100000000000100001008004100002653002600043653003400069653001700103653001300120653002400133653002300157653002000180653002800200653002800228653002600256653002200282653001700304653002200321653002200343653001300365653002400378653002300402100001800425245014000443856015100583300001200734490000900746520083700755022002001592                                       d10aCultural associations10aCultural heritage (Thesaurus)10aDance spaces10aMilongas10apatrimonio cultural10aPolítica pública10aPublic policies10aasociaciones culturales10aassociações culturais10aCultural associations10acultural heritage10aDance spaces10aespacios de baile10aespaços de baile10aMilongas10apatrimonio cultural10aPolítica pública1 aHernán Morel00a"Se armó la milonga": acerca de las políticas, el patrimonio y los espacios de baile de tango en la ciudad de Buenos Aires, Argentina  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85014418876&doi=10.7440%2fantipoda27.2017.05&partnerID=40&md5=c7ae82679e8fa06ffbe191c55b25c154  a121-1400 v20173 aThis paper introduces an ethnographic study focused on the milongas of Buenos Aires (Argentina), seeking to explore the interrelations developed between dancing spaces and certain public policies. This article reflects upon the political and organizational processes that enable the deployment of this kind of dance events, pointing out agreements, conflicts and demands raised by the milongas organizers against the actions of public policies. To analyze these processes, I will focus on closures carried out in 2005 that affected the normal functioning of the milongas. This research shows the articulations and changing relations that the milongas organizers established with public policies, highlighting some issues and contradictions that emerge around the management of the intangible cultural heritage by the power of State.  a19005407 (ISSN)