01777nas a2200145   4500000000100000008004100001100001800042700002100060700002200081245009200103856011800195300001200313490000700325520129900332                                       d1 aNgozi Ezenagu1 aChinazor Ezenagu1 aIkechukwu Ezenagu00aNegotiating the intangible heritage of Awka traditional paraphernalia in modern society  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85196173943&partnerID=40&md5=b10969c43fc56231c691cba28b5e80d0  a110-1250 v193 aAwkatraditionalparaphernaliaistheproductofmanycenturies ofartistictraditions.Suchgreatworksofartmayseemlifelessto non-nativesbutarefunctionalinallspheresofAwkacommunity life. They depict the various tangible and intangible features of Awka culture. Despite the intricacy and functionality of these traditional artworks, they are gradually losing potency and relevance in Eurocentric post-colonial Nigerian society. The focus of modern museums and contemporary artworks has challenged the intangible essence of traditional paraphernalia. Thisstudyemployedthehistoricalresearchmethodandthematic analysis to explore the intangibility of the tangible heritage of the Awka traditional community. The mimesis theory of art was used to buttress the relevance of the intangible heritage represented in Awka traditional paraphernalia. The study found that its intangible heritage is the essence of Awka traditional paraphernalia. In addition, it found that traditional artworks were the mainstay of various cultural institutions and activities in the Awka community. It concluded that traditional artworks embody the beliefs and practices of the Awka community. The study suggests that contemporary artworks should be designed to reflect the intangibility of traditional paraphernalia in modern society.