01755nas a2200193   4500000000100000000000100001008004100002653001300043653002400056653001900080653002200099653001900121100001400140245011500154300001200269490000700281520125900288022001401547                                       d10aDYSTOPIA10aIndigenous Futurism10aSimi festivals10aartistic activism10aClimate change1 aE De Vivo00aMarkomeannu\#2118, the Future is Already Here: Imagining a Sami Future at the Intersection of Art and Activism  a227-2460 v123 aThe 2018 edition of the Simi festival Mirkomeannu elaborated a narrative about the future of both the environment and society by articulating fears of an oncoming apocalypse and hopes for Indigenous Simi futures through a concept presented to festivalgoers via site-specific scenography, visual narratives, and performances. This essay, addressing the festival as a site of artistic activism, reveals the conceptual bases and cultural significance of the festival-plot in relation to Indigenous Simi cosmologies, the past and the possible future(s) in our time marked by escalating climate change. I argue that Mirkomeannu-2018, providing a narrative about the future in which, amidst the Western societies  dystopic colonial implosion, Indigenous people thrive, can be regarded as an expression of Indigenous Futurism. Counterpointing 19th-century theories predicting the imminent vanishing of Indigenous peoples while positioning the Simi as modern Indigenous peoples with both a past and a future, this narrative constitutes an act of empowerment. Simi history and intangible cultural heritage constituted repositories of meaning whereas a folktale constituted a framework for the festival-plot while providing an allegorical tool to read the present.  a2083-2931