01885nas a2200301   4500000000100000000000100001008004100002653003300043653003500076653003500111653001000146653003700156653003900193653002700232653001300259653001300272653002600285653002700311653002200338653002300360653002400383100001700407245009200424856009500516300001200611520094600623022001401569                                       d10aIntangible cultural heritage10aPatrimonio Cultural Inmaterial10aPatrimônio cultural imaterial10aTango10aimigração final do século XIX10aimmigration end nineteenth century10ainmigración fin s.XIX10alunfardo10aMilongas10aorthodoxy-heterodoxy.10aortodoxia-heterodoxia.10areborn tango 199010arenacer tango 199010arenascer tango 19901 aMarta Norese00aLa sostenibilidad cultural: El reconocimiento del tango como patrimonio de la humanidad  uhttp://www.scielo.org.ar/scielo.php?script=sci_arttext&pid=S1853-35232022000500121&lang=es  a121-1353 aTango is already between 130 and 140 years old since its creation by  the poor people of the Montevidean and Buenos Aires conventillos, who were the inventors of tango. "The hybridity of that town - infinite mixtures of external and internal immigration - drives it to react in the face of the crises and the blows of life, it creates a dynamic, develops a skill and achieves (at least always tries) “that the crises be creative.” Argentina had since the 19th century free secular education for all. being hungry or having difficulties but having a people with intelligence and creativity, that s why tango arises and lives and survives, it s not always the same tango: reality changes, people change, happiness and pain change, but there s always an answer ... and therefore a rebirth. Able to invent a language: lunfardo, and a music: Tango. Mestizo and heterodox people, who grow with crises, expressing themselves with their culture.  a1853-3523