@incollection{4712,
  author = {V.T. Hafstein},
  title = {Afterword: Festival as heritage/heritage as festival},
  abstract = {A critical, comparative approach to the implementation of the Intangible Heritage Convention brings to light the dominance of certain expressive genres in the activities called safeguarding: lists, competitions, prizes, documentaries and especially the festival. The dolma culinary tradition is widespread throughout the Mediterranean and the Caucasus into Central Asia, and as festive food, it is associated with a variety of ceremonies, rituals, holidays, weddings and festive events. Festivals are ‘geared toward deliberate display’, offering a ‘boastful’ reflection of the community to locals and visitors alike. As a genre of display characteristic of intangible heritage, the festival provides a stage for performing this reflexive modernity. Ethnologists, folklorists, anthropologists, heritage professionals and cultural administrators co-author the script and help set the stage. When festivals come under the sign of intangible heritage, they fit like a glove on the hand of the safeguarding project.},
  year = {2019},
  booktitle = {Herit. and Festivals in Europe: Perform. Identities},
  pages = {188-204},
  publisher = {Taylor and Francis},
  school = {Taylor and Francis},
  isbn = {9780429511554 (ISBN); 9780367186760 (ISBN)},
  url = {https://www.scopus.com/inward/record.uri?eid=2-s2.0-85079578876&doi=10.4324%2f9780429202964-14&partnerID=40&md5=a2ff26bafe2ed9b6737c9b1e90da4af6},
  doi = {10.4324/9780429202964-14},
  note = {Journal Abbreviation: Herit. and Festivals in Europe: Perform. Identities},
  language = {English},
}