@article{14664,
  author = {Ki-Hyun Do and Young-Shin Won and Park Hyukyoung},
  title = {The System of Techniques and Composition Theory of Song, Duk-Ki s Taekkyeon},
  abstract = {After Taekkyeon was recognized as an Intangible Cultural Heritage in 1983, a number of Taekkyeon organizations have been founded. Despite all organizations inherited from Song, Duk-ki who was the first national treasure of Taekkyeon, there are few differences in the way that each organization succeeds Taekkyeon. The curriculum and the guiding principle may change to fit the modern society for the development of Taekkyeon, but the core of Taekkyeon which the Song, Duk-ki has passed down should not be changed. Thus, the purpose of this study is to correctly understand Song, Duk-ki’s Taekkyeon by analyzing the constituting principle of Song, Duk-ki’s Taekkyeon and the necessity of this study lies in providing a meaningful reference for researches for the further development of Taekkyeon. The techniques of Song, Duk-ki’s Taekkyeon is composed of both kicking, the blows, and Taejil, the grapplings, in accordance with its rule where the player should kick the opponent s face or throw the opponent on the ground to win. The training system consists of two people standing and facing each other then practicing attack and defense by using each technique. Such compositions of techniques and training system come from the fact that Taekkyeon is a game based martial arts. Having a rule for victory and defeat, and proceeding a game with Pumbalkki in proximity for the smooth progress of a Taekkyeon game are some of the biggest parts in composition theory of Song, Duk-ki’s Taekkyeon. Taekkyeon may be inherited and developed in many ways, but all should be done based on the study of the composition of Song, Duk-ki’s Taekkyeon.},
  volume = {34},
  number = {3},
  pages = {17-33},
  issn = {1229-6341},
  doi = {10.16915/jkapesgw.2020.9.34.3.17},
}