TY - JOUR
AU - Angélica García Manso
AB - After Revolucão dos Cravos, Portuguese cinema focused on the search for the roots of the national imaginary.In this context, filmmaker João César Monteiro carried out the film adaptation of several Portuguese folk tales which include “Blancaflor”, “Os dois irmãos e a mulher morta”, “Os dois soldados”, “As tres cidras do amor”, “A mão do finado” and “A donzela que vai à guerra”.They recreate and establish a network of legends, characters, traditions and symbols from popular mythology and intangible heritage of Portugal.
BT - Archivum: Revista de la Facultad de Filosofía y Letras
M1 - 66
N2 - After Revolucão dos Cravos, Portuguese cinema focused on the search for the roots of the national imaginary.In this context, filmmaker João César Monteiro carried out the film adaptation of several Portuguese folk tales which include “Blancaflor”, “Os dois irmãos e a mulher morta”, “Os dois soldados”, “As tres cidras do amor”, “A mão do finado” and “A donzela que vai à guerra”.They recreate and establish a network of legends, characters, traditions and symbols from popular mythology and intangible heritage of Portugal.
PY - 2016
SP - 89
EP - 106
T2 - Archivum: Revista de la Facultad de Filosofía y Letras
TI - Cuentos tradicionales portugueses en el cine: la aportación de João César Monteiro
UR - https://dialnet.unirioja.es/servlet/extart?codigo=5824914
SN - 0570-7218
ER -