TY - JOUR
KW - Lisbon
KW - Angola
KW - Kuduro
KW - Lusofonia
KW - Sampling
AU - Jorge de La Barre
AB - Beside Portugal’s iconic fado genre, recognized as Intangible Cultural Heritage by UNESCO in 2011, music scenes in Lisbon have diversified throughout the 2000s along with the affirmation of Portugal’s capital city on the stage of global attractiveness. This paper examines some music scenes in Lisbon in the late 2000s and early 2010s—especially hip-hop and Angolan kuduro played by the Luso-Angolan bands Buraka Som Sistema, and Batida, based in Lisbon. It discusses the ways in which the sampling technique has allowed for diverse forms of musical cosmopolitanism, performing connections with Africa, and the tentative affirmation by some Portuguese media in the late 2000s, of a musical Lusofonia.
BT - Journal of Popular Music Studies
DA - mar
DO - 10.1525/jpms.2019.311010
LA - English
M1 - 1
N1 - Publisher: University of California Press
N2 - Beside Portugal’s iconic fado genre, recognized as Intangible Cultural Heritage by UNESCO in 2011, music scenes in Lisbon have diversified throughout the 2000s along with the affirmation of Portugal’s capital city on the stage of global attractiveness. This paper examines some music scenes in Lisbon in the late 2000s and early 2010s—especially hip-hop and Angolan kuduro played by the Luso-Angolan bands Buraka Som Sistema, and Batida, based in Lisbon. It discusses the ways in which the sampling technique has allowed for diverse forms of musical cosmopolitanism, performing connections with Africa, and the tentative affirmation by some Portuguese media in the late 2000s, of a musical Lusofonia.
PY - 2019
SP - 109
EP - 130
T2 - Journal of Popular Music Studies
TI - Sampling lisbon: Kuduro and the lusophone imagination
UR - https://www.scopus.com/inward/record.uri?eid=2-s2.0-85077213746&doi=10.1525%2fjpms.2019.311010&partnerID=40&md5=b80f5581048d476587ff94d759889e3b
VL - 31
SN - 15242226 (ISSN)
ER -