01860nas a2200241   4500000000100000000000100001008004100002260000800043653002000051653003200071653001300103653003300116653001000149653001700159100001600176700002200192700001500214245011800229856015000347490000700497520109400504022002001598       2020                            d  capr10aExperiencescape10aFeast of the Drunken Dragon10afestival10aIntangible cultural heritage10aMacau10astakeholders1 aZhaoyu Chen1 aWantanee Suntikul1 aBrian King00aConstructing an intangible cultural heritage experiencescape: The case of the Feast of the Drunken Dragon (Macau)  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85081196943&doi=10.1016%2fj.tmp.2020.100659&partnerID=40&md5=2b05f7963389ac7eff3614ab085b6a420 v343 aGiven the minimal attention that researchers have given to how various stakeholders contribute to festival experiencescapes in destination settings, this paper examines how an intangible cultural heritage (ICH) experiencescape is constructed, focusing on a local- and national-level listed heritage item in Macau. In-depth stakeholder interviews are conducted to identify involvement in the event by government officials, organizers, performers, shop owners and tourists. Organizers and performers were found to play key roles in delivering experiences and the researchers determined that participation by most visitors is spontaneous. Government plays a supporting and coordinating role, with local community representatives engaging actively in operational aspects. The participation by local shop owners in creating the experiencescape is modest. This study contributes to knowledge by proposing an ICH experiencescape framework that conveys a multidimensional “-scape” concept, and shows the progressive formation and refinement of experiences before, during, and after visitation.  a22119736 (ISSN)