02054nam a2200337   4500000000100000000000100001008004100002260002000043653003400063653001200097653003100109653001400140653001400154653001800168653002300186653001500209653001600224653002000240653002400260653002500284653001200309653001500321653002400336100001100360700001100371245008400382856015200466490001500618520104100633020004201674       2019                            d  bSpringer Verlag10aIntangible cultural heritages10aHistory10aHuman computer interaction10aLandscape10aEconomics10aDeterioration10acultural landscape10aIntangible10aEnvironment10aDisplay devices10aNational conditions10aCultural environment10aDisplay10aEco-museum10aTheory and practice1 aJ. Liu1 aR. Tan00aThe Display of Intangible Cultural Landscape Based on the Concept of Eco-Museum  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85069877789&doi=10.1007%2f978-3-030-22580-3_6&partnerID=40&md5=3e227cec4435cbfa8751e0237d23fca40 v11577 LNCS3 aThe rapid development of industrialization and urbanization brought about changes in the economic structure, forms of production and lifestyle, resulting in deterioration of the natural and human environment, as well as many intangible cultural landscape degradation. To display intangible cultural heritage landscape in the form of eco-museum aims to achieve harmony between man and nature and human environment. Eco-museum with community residents’ participation in live state display is the way to retain the cultural heritage, is a means of protecting intangible cultural heritage and tradition. In this paper, based on the concept of ecological museum theory and practice, the author makes an overview of the history of establishment of eco-museums in accordance with our national conditions, to avoid the homogenization of intangible cultural heritage display modes, and to improve the cultural landscape heterogeneity and retain historical memory of diverse cultures, to protect natural and cultural environment of the country.  a03029743 (ISSN); 9783030225797 (ISBN)