01568nas a2200145 4500000000100000000000100001008004100002100002000043245014400063856011800207300001000325490000700335520106600342022001401408 2020 d1 aHideyo Konagaya00aHeritage Production in National and Global Cultural Policies Folkloristics, Politics, and Cultural Economy in Ryukyuan/Okinawan Performance uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85087144691&partnerID=40&md5=9bdcd2beb9768a07771252e5d1464586 a45-660 v793 aThe term "cultural heritage" gained currency in Japanese public discourse in the 1990s, when the national government began to reorient cultural administration. Cultural policy has entailed the promotion of "cultural heritage" as a new platform of local and global economic development, while holding on to the long-established institution of the protection of "cultural property." This article explores how the discourse of cultural heritage has interacted with the history, politics, and economy of the nation state, and how folkloristic and anthropological theories and practices have been involved in the process. Discussing Kumiodori, a form of traditional Okinawan dance and theater, which was inscribed on the UNESCO Intangible Cultural Heritage Representative List in 2010, it will look into the intersection of global and national cultural policies centered on intangible culture, paying attention to its classificatory system, which I see as an instrument of defining, ordering, and reproducing the images and meanings of national culture and identity. a1882-6865