@inproceedings{14668,
  author = {Dewu Zhou and Jun Fang and Xiaonian Zhou},
  title = {The Theory of the Protection, Inheritance and Development of the New Year Painting in Western Sichuan in the New Situation},
  abstract = {The New Year painting is one of the quintessence of Chinese folk craftsmanship and the soul treasure of the nation. It is also the crystallization of the wisdom of Chinese folk traditional handicraft. There are four New Year painting major bases in China and Sichuan MianZhu New Year painting occupied a seat board. In 2002, Sichuan MianZhu New Year painting has become the first batch of Chinese intangible cultural heritage projects and this move also inject a lot energy and hope for the New Year painting to get a better inheritance and protection.},
  volume = {104},
  pages = {462-465},
  isbn = {2160-1070},
}